Я сахаджия!

Enjoyment of Love sport by Mukta couples

The young men, after they are satisfied with their sporting in the garden, embrace their women who are bent forward due to the weight of their full breasts in creeper bowers and enjoy them, drinking in the nectar of their lips in the Lotus like faces.

After their enjoyment in the gardens, the amorous women enter the nectar ponds along with their husbands with their anklets jingling, like the cranes. They enjoy themselves by playing with water in the Jalamadduka sports. (beating at the water with their hands).

After sporting in different ways in the water, the women come ashore into the large coral shores. They receive the sweet smelling unguent with good colours from their friends.

The Lotus eyed women wear dresses around their waists, ornaments in their ears and other parts, colours on their breasts, flower garlands and eye shades and black on their lashes. All these enhance each other’s beauty.

Note: The poet is indicating that both the aids to beauty as well as the beautiful bodies decorated by them enhance each other’s attractiveness.

The slim waisted women who love their superior husbands very much go to their houses along with them. There they drink nectar in golden vessels, which will never be obtained by the unreleased souls, along with the husbands.

The women with their eyes decorated with collyrium slowly ascend the jewelled, decorated and soft beds of their husbands at the appropriate time when urged by them with great love. After all, humility is the most exalted of all good qualities.

The beautiful maiden who has lifted up her hands to tie her hair braids decorated with flowers, with her beautiful breasts lifted up in front of her husband shows her folds of skin under the armpits. Her dear husband who gets very much attracted by this, embraces her with great love.

Which (loving) blissful husband will not embrace and give bliss with his two arms to his wife with her two big, round, high and hard breasts stopping his broad chest? (Every one will).

The adoring husband will look for a long time at his wife’s face, blooming (like a flower) with a smile, with shining cheeks, wearing jewelled ear rings and with her soft side long glances of the eyes darting quickly and will kiss her hard.

The young husband who is filled with bliss due to the embrace of his wife and sees her beautiful moon like face bent forward due to shyness lifts it up to kiss her to enjoy the sweet nectar of her lips without stopping for a long time.

The lover anxious for the consummation of their love speeds up the movement of his gentle hands to remove the robe (she is wearing) when she, having beautiful eyes, resists it.

The groups of damsels well accomplished in the arts of love, will also embrace their husbands and encourage them in the sport of love, by quickly bending down with their large breasts and making the loud sounds of lovemaking to please them.

The qualities of the women in this world are unique and are not found any where else. The husbands who enjoy with them also have such unique qualities. The love sport of these couples match each other and is totally unworldly and is completely different and superior to the pleasures found in any other place.

In this Loka (Vaikunta) the love sport does not have any type of exhaustion, sweating etc ever. The lovers do not have any parting at all. There is never any occasion for a woman to feel jealous of the husband being interested in another wife.

The bodies of all the (Mukta) souls in Vaikunta are made of the essence of bliss, knowledge etc. (and not of physical entities). They always smell sweet inside and outside. Therefore, the love sport of such souls is extolled even by the learned persons like Brahma etc.

In this chapter we see an entirely different concept - This is a poetic description of Vaikunta, the final refuge of Salvation itself, describing the eternal “life” of the liberated souls who have attained Mukti, by having correctly understood Madhva Shastra and completed all the Sadhanas needed for getting rid of the travails of Samsara and getting the grace of the Supreme Being.

Obviously, the poet has to depend on his imagination a great deal, but the description has its authenticity in that brief statements of the state of the souls in Mukti occur even in the Vedas.

Vasudev Prabhu approached Srila Sridhar Maharaja and tried to break his faith in Srila Saraswati Thakur. The crux of his argument was that Saraswati Thakur's innovations were not Vedic. He offered evidence: The 108 sannyas names. Knowing Srila Sridhar Maharaja to be a Bhattacharya and Vedic Brahmin, he appealed to his samskar (background) by describing them as non-Vedic and challenged their authenticity. Srila Sridhar Maharaja responded by referencing a Vedic text. Then Vasudev Prabhu, the insider, revealed: “You don't know, we hired some pundits, Prabhupada dictated, they couched his concepts in Vedic language, and we published that book as Veda.” At this point a man without guru nistha (inexorable faith) would collapse.

Without hesitation Srila Sridhar Maharaja replied: What is Veda? And what comprises Veda? It is Divine revelation that has descended in the inspiration of the rishis. Sruti is what has been heard—Divine Sound. The recorded realizations of those who have heard (conceived) the divine sound is transmitted as the sacred mantram and scripture. It is revealed truth, inaccessible to the mind, senses and intellect [scholarship], (avan manasa gochara, na bhaved grahyam indriyaih). Revealed to whom? Rishis, saints, devotees, gurus (tattva drsi—tattva darshinah). Those who are seeing and experiencing the Absolute Truth. Their recorded realization, in written form, is known as scripture.